Description
Metamodern Sounds in Country Music is the follow-up to Sturgill Simpson's critically acclaimed debut, High Top Mountain.
The album title — an allusion to Ray Charles groundbreaking 1962 record, Modern Sounds in Country and Western Music — hints at the psychedelic sounds found within. Compared to Waylon Jennings and Merle Haggard, Simpson explores a more progressive side of outlaw country in his wholly unique and captivating second album.
