180-gram audiophile vinyl debut album from the 2011 Grammy winner for Best New Artist
"Esperanza Spalding's 2006 debut drives jazz's modern mainstream with a hip-sounding classic piano trio. Her emotional, wordless vocals and conversational bass playing offer a delightful celebration of music as folk art. Spalding's bass playing gets noticed while she interprets traditional jazz favorites as well as fresh new originals.
Spalding, who was born in 1984, is younger than most jazz all-stars. And yet the fierce power of her trio proves that these musicians have all paid their dues many times over. The leader, a Portland, Ore., native, graduated from the Berklee College of Music in Boston and now teaches there. Like many of us, she was turned on to jazz by Kind of Blue.
Her pianist and drummer on this date, Aruán Ortiz and Francisco Mela, are from Cuba. She's chosen two of the best for her opening salvo in the competitive world of music. Unlike vocalese, Spalding uses a soft, wordless pattern that allows one vowel sound to flow into the next. It's not unlike the Portuguese sounds that often drive a bossa nova. She does sing one song with lyrics on Junjo, however, only to emphasize this point even stronger. "Cantora de Yala, sung in Spanish with nothing more than bass accompaniment, flows naturally with a poignant charm.
The trio's interpretation of Chick Corea's "Humpty Dumpty" offers the best look at Spalding's bass playing. She likes to move with a comfortable rhythmic drive that never fades. Her concept remains lyrical from start to finish; she creates a focus for her energy and ensures that it follows a path toward beauty. Fresh voices such as this one on the modern jazz scene prove that good taste will always win over greedy ambition." — All About Jazz